Banjo tuning

gCGBD (nem jött be)
“Standard-C”, “Single-C”, “Drop-C”,”C-tuning”
https://zeppmusic.com/banjo/aktuning.htm#gCGBD

########
The Key of E
https://banjonews.com/2018-04/the_key_of_e.html

Open E tuning:
https://www.banjohangout.org/archive/221102

eBEG#B Open-G – 3
https://zeppmusic.com/banjo/aktuning.htm#eBEBE

https://blog.deeringbanjos.com/how-to-tune-a-tenor-banjo-to-chicago-tuning

eBEG#B

xxxxxxxxxxxxxxxxxxxx

Chicago tuning is a type of tuning traditionally used for 4 string plectrum banjos that is tuned the same as the top 4 strings of a guitar (D, G, B, E). This allows guitarists to use the same fingerings as they do on guitar. This tuning is traditionally used on plectrum banjos because the scale of the neck of plectrum banjos is very close to that of guitars so standard plectrum banjo strings can be used.

For sure, many guitarists are doing this with tenor banjos as well.

D chord is bad.

JAZZ CLASSICS Harmonica Play-Along Volume 15

The Harmonica Play-Along Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the CD to hear how the harmonica should sound, and then play along using the separate backing tracks. The audio CD is playable on any CD player, and also enhanced so PC and Mac users can adjust the recording to any tempo without changing pitch! Volume 15 includes: All Blues • Au Privave • Comin’ Home Baby • Song for My Father • Sugar • Sunny • Take Five • Work Song.

https://www.halleonard.com/product/1336

https://www.halleonard.com/viewcloserlook.action?itemId=00001336&name=jazz-classics#audio-2

harmonica mask case

1.To protect yourself and prevent your emitting breath as the same use of facial masks (Antimicrobial materials are the best to use)
2.No need to touch the harmonica directly
3.Can be carried hygienically in a mask case

Harmonica Tone is Everything

1. Relax
2. Get The Harmonica Nice and Deep
3. Play Half As Hard As You Already Are
4. Stand Up
5. Breathe From Your Diaphragm
6. Use Your Hands
7. Practice a Train Rhythm Every Day

 

  • Connection between mouth and harmonica
  • Resting the harmonica on the lower lip
  • Lowering the jaw
  • Changing the capacity of the mouth
  • Posture
  • Exploring how bad you can make the tone and then how good you can make it
  • Pushing the difference between good and bad tone
  • Using your knowledge of bad tone to inform your knowledge of good
  • Relaxed mouth shape
  • Use of exercise like Haha Hoohoo
  • Deep Breathing
  • Shape of the inside of the mouth
  • Shape and height of tongue
  • Vocal Tract and open glottal aperture
  • Speaking with deep tones/high tones
  • Using Jews harp to explore resident areas
  • Throat open or closed
  • Pulsing the breath and vibrato
  • Harmonics and be inside of the mouth and throat
  • Pitch and mouth shape
  • Collecting the hands to the harmonica and also to the face
  • Making a tight seal with the hands/harmonica unit
  • Relaxing in the mouth throat and hands
  • Collecting the harmonica to the teeth
  • Singing through the harmonica
  • Listening to players you consider how good tone
  • Puckering or tongue-blocking
  • Which harmonica to use